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Results: 475
Number of items: 475
  • Elsaesser, T. (2000). Vábivé zvuky: vánoční zvonky Franze Hofera a transformace hudebních žánrů v raném německém filmu. Iluminace : časopis pro teorii, historii a estetiku filmu, 12(2), 85-100.
  • Elsaesser, T. (2000). Innocence restored: reading and re-reading a classic: Metropolis. In M. Minden, & H. Bachmann (Eds.), Metropolis (pp. 123-139). Camden House.
  • Elsaesser, T. (2000). Metropolis. British Film Institute.
  • Elsaesser, T. (2000). Wie der frühe Film zum Erzählkino wurde. In I. Schenk (Ed.), Erlebnisort Kino (pp. 34-54). Schüren.
  • Elsaesser, T. (2000). From Censorship to Over-Exposure. In A. Rengo, L. Quaresima, & L. Vichi (Eds.), I limitti della rappresentazione/The Bounds of Representation (pp. 289-308). Forum.
  • Elsaesser, T. (2000). The Illusion of Mastery: Fritz Lang. Sight and Sound, (january), 18-24.
  • Elsaesser, T., & Hesselberth, P. (2000). Hollywood op straat: film en televisie in de hedendaagse mediacultuur. Vossiuspers AUP.
  • Elsaesser, T. (2000). The new new Hollywood: cinema beyond distance and proximity. In I. Bjondeberg (Ed.), Moving Images, Culture & The Mind (pp. 187-203). Luton University Press.
  • Elsaesser, T. (2000). Weimar Cinema and After: Germany's Hisotrical Imaginary. Routledge.
  • Open Access
    Blom, I. L. (2000). Pionierswerk. Jean Desmet en de vroege Nederlandse filmhandel en bioscoopexploitatie (1907-1916). [Thesis, fully internal, Universiteit van Amsterdam]. in eigen beheer.
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