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Results: 39
Number of items: 39
  • Jongstra, A., van den Berg, K. J., Hendriks, E., de Groot, S., van Keulen, H., & Stols-Witlox, M. (2019). 'Breaking Waves': The relation between zinc-oxide degradation and extreme delamination from the panel support of Beach Scene, by J.E.H. Akkeringa (1861-1942). In K. J. van den Berg, I. Bonaduce, A. Burnstock, B. Ormsby, M. Scharff, L. Carlyle, G. Heydenreich, & K. Keune (Eds.), Conservation of Modern Oil Paintings (pp. 289-296). Springer. https://doi.org/10.1007/978-3-030-19254-9_22
  • Bierings, J., Steyn, L., Stols-Witlox, M., & van den Berg, K. J. (2019). Challenges of surface cleaning paintings by Asger Jorn (1914-1973): an inventory of existing practice. In K. J. van den Berg, I. Bonaduce, A. Burnstock, B. Ormsby, M. Scharff, L. Carlyle, G. Heydenreich, & K. Keune (Eds.), Conservation of Modern Oil Paintings (pp. 363-372). Springer. https://doi.org/10.1007/978-3-030-19254-9_28
  • Hintz, M., van den Berg, K. J., Stols-Witlox, M., & Steyn, L. (2019). Improving the surface cleaning of water sensitive oil paint by use of alternative application methods. In K. J. van den Berg, I. Bonaduce, A. Burnstock, B. Ormsby, M. Scharff, L. Carlyle, G. Heydenreich, & K. Keune (Eds.), Conservation of Modern Oil Paintings (pp. 575-586). Springer. https://doi.org/10.1007/978-3-030-19254-9_43
  • Steyn, L., van den Berg, K. J., Stols-Witlox, M., Hendriks, E., & Wijnberg, L. (2019). Some considerations when cleaning Robert Ryman's oil paint(ings). In K. J. van den Berg, I. Bonaduce, A. Burnstock, B. Ormsby, M. Scharff, L. Carlyle, G. Heydenreich, & K. Keune (Eds.), Conservation of Modern Oil Paintings (pp. 347-362). Springer. https://doi.org/10.1007/978-3-030-19254-9_27
  • Open Access
    Raven, L., Bisschoff, M., Leeuwestein, M., Geldof, M., Hermans, J. J., Stols-Witlox, M., & Keune, K. (2019). Delamination Due to Zinc Soap Formation in an Oil Painting by Piet Mondrian (1872-1944): Conservation Issues and Possible Implications for Treatment. In F. Casadio, K. Keune, P. Noble, A. Van Loon, E. Hendriks, S. A. Centeno, & G. Osmond (Eds.), Metal Soaps in Art: Conservation and Research (pp. 343-358). (Cultural Heritage Science). Springer. https://doi.org/10.1007/978-3-319-90617-1_20
  • Open Access
    Picollo, M., Stols-Witlox, M., & Fuster-Lopéz, L. (Eds.) (2019). UV-Vis Luminescence imaging techniques = Técnicas de imagen de luminiscencia UV-Vis. (Conservation 360º; Vol. 1). Editorial Universitat Politècnica de València. http://hdl.handle.net/10251/138517
  • Stols-Witlox, M. (2018). Witte gronden, heldere kleuren: Wat historische auteurs (1550-1900) van recepten schrijven over het schilderen op witte gronderingen. kM : vakinformatie voor beeldende kunstenaars en restauratoren, 106, 25-27.
  • Stols-Witlox, M. (2017). A perfect ground: Preparatory layers for oil paintings 1550-1900. Archetype.
  • Stols-Witlox, M. (2017). ‘From reading to painting’: Authors and Audiences of Dutch Recipes for Preparatory Layers for Oil Painting. Early Modern Low Countries, 1(1), 71-134. https://doi.org/10.18352/emlc.3
  • Stols-Witlox, M. (2016). 'To keep the colours fresh, alive and bright': the influence of preparatory layers on the durability of oil painting, according to North West European recipe books 1550–1900. In S. Eyb-Green, J. Townsend, K. Pilz, S. Kroustallis, & I. van Leeuwen (Eds.), Sources on Art Technology : Back to basics : proceedings of the sixth symposium of the ICOM-CC Working group for art technological source research, held at Rijksmuseum, Amsterdam, 16-17 June 2014 (pp. 100-106). Archetype.
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