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Results: 32
Number of items: 32
  • Open Access
    Keune, K., Mass, J., Meirer, F., Pottasch, C., van Loon, A., Hull, A., Church, J., Pouyet, E., Cotte, M., & Mehta, A. (2015). Tracking the transformation and transport of arsenic sulfide pigments in paints: synchrotron-based X-ray micro-analyses. Journal of Analytical Atomic Spectrometry, 30(3), 813-827. https://doi.org/10.1039/c4ja00424h
  • Open Access
    Hermans, J. J., Keune, K., van Loon, A., & Iedema, P. D. (2015). An infrared spectroscopic study of the nature of zinc carboxylates in oil paintings. Journal of Analytical Atomic Spectrometry, 30(7), 1600-1608. https://doi.org/10.1039/c5ja00120j
  • Iedema, P. D., Hermans, J. J., Keune, K., van Loon, A., & Stols-Witlox, M. J. N. (2014). Mathematical modeling of mature oil paint networks. In J. Bridgland (Ed.), Building strong culture through conservation: preprints ICOM-CC 17th Triennial Conference: 17-19 September 2014, Melbourne, Australia (pp. 1604). International Council of Museums.
  • Hermans, J. J., Keune, K., van Loon, A., Corkery, R. W., & Iedema, P. D. (2014). The molecular structure of three types of long-chain zinc(II) alkanoates for the study of oil paint degradation. Polyhedron, 81, 335-340. https://doi.org/10.1016/j.poly.2014.06.030
  • Open Access
    Noble, P., van Loon, A., van der Snickt, G., Janssens, K., Alfeld, M., & Dik, J. (2014). Development of new imaging techniques for the study and interpretation of late Rembrandt paintings. In J. Bridgland (Ed.), Building strong culture through conservation: preprints ICOM-CC 17th Triennial Conference: 17-19 September 2014, Melbourne, Australia (pp. 1310). International Council of Museums. https://www.researchgate.net/publication/317952363_Development_of_new_imaging_techniques_for_the_study_and_interpretation_of_late_Rembrandt_paintings
  • Open Access
    Hermans, J. J., Keune, K., van Loon, A., Stols-Witlox, M. J. N., Corkery, R. W., & Iedema, P. D. (2014). The synthesis of new types of lead and zinc soaps: a source of information for the study of oil paint degradation. In J. Bridgland (Ed.), Building strong culture through conservation: preprints ICOM-CC 17th Triennial Conference: 17-19 September 2014, Melbourne, Australia (pp. 1603). International Council of Museums. http://www.icom-cc2014.org/docs/content/Melbourne_Table_of_Contents.pdf
  • van Loon, A., Noble, P., & Boon, J. J. (2012). The formation of complex crusts in oil paints containing lead white and smalt: dissolution, depletion, diffusion, deposition. In N. Meeks, C. Cartwright, A. Meek, & A. Mongiatti (Eds.), Historical technology, materials and conversation: SEM and microanalysis (pp. 207-209). Archetype Publications. http://www.archetype.co.uk/publication-details.php?id=130
  • Noble, P., van Loon, A., Alfeld, M., Janssens, K., & Dik, J. (2012). Rembrandt and/ or studio, Saul and David, c.1655: revealing the curtain using cross-section analyses and X-ray fluorescence imaging. Techné, 35, 36-45.
  • van Loon, A., Noble, P., & Burnstock, A. (2012). Ageing and deterioration of traditional oil and tempera paints. In J. Hill Stoner, & R. A. Rushfield (Eds.), Conservation of Easel Paintings (pp. 214-241). (Routledge series in conservation and museology). Routledge.
  • Open Access
    van Loon, A. (2008). Color changes and chemical reactivity in seventeenth-century oil paintings. [Thesis, externally prepared, Universiteit van Amsterdam].
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