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Results: 71
Number of items: 71
  • Röttger, K. (2017). Pathogenèse du regard et gènese du pathos dans le mélodrame du XIXe siècle. In F. Baillet, M. Losco-Lena, & A. Rykner (Eds.), Lóeil et le théâtre: La question du regard au tournant des XIXe et XXe siècles sur les scènes européenne: Études théâtrales et études visuelles: Approches croisées (pp. 111-134). (Études théâtrales; Vol. 65). Centre d'Études théâtrales. https://www.cairn.info/revue-etudes-theatrales-2016-2-p-111.htm
  • Röttger, K. (2017). Spectacle and Politics: Is there a Political Reality in the Spectacle Society? In S. Gandesha, & J. F. Hartle (Eds.), The Spell of Capital: Reification and Spectacle (pp. 133-148). Amsterdam University Press.
  • Röttger, K. (2017). Towards a Pedagogy of Cultural Translation: Challenges for an International Classroom. In S. Bala, M. Gluhovic, H. Korsberg, & K. Röttger (Eds.), International Performance Research Pedagogies: Towards an Unconditional Discipline? (pp. 41-54). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-53943-0_3
  • Röttger, K. (2017). Tatort Mannheim: Was hatte Schiller mit dem Mord an Kotzebue zu tun? In T. Wortmann (Ed.), Mannheimer Anfänge: Beiträge zu den Gründungsjahren des Nationaltheaters Mannheim 1777-1820 (pp. 197-212). Wallstein Verlag.
  • Open Access
    Bala, S., Korsberg, H., Gluhovic, M., & Röttger, K. E. (2017). International Performance Research Pedagogies: Towards an Unconditional Discipline? In S. Bala, M. Gluhovic, H. Korsberg, & K. Röttger (Eds.), International Performance Research Pedagogies: Towards an Unconditional Discipline? (pp. 1-19). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-53943-0_1
  • Open Access
    Röttger, K. (2017). Technologies of Spectacle and 'The Birth of the Modern World': A Proposal for an Interconnected Historiographic Approach to Spectacular Culture. Tijdschrift voor Mediageschiedenis, 20(2), 4-29.
  • Röttger, K. (2016). Technologien des Spektakels. In I. Ritzer, & P. W. Schulze (Eds.), Transmediale Genre-Passagen: Interdisziplinäre Perspetiven (pp. 43-70). (Neue Perspektiven der Medienästhetik). Springer VS. https://doi.org/10.1007/978-3-658-09426-3_2
  • Röttger, K. (2016). Theater/Wissenschaft unter den Bedingungen von Kapitalisierung. In M. Cairo, M. Hannemann, U. Haß, & J. Schäfer (Eds.), Episteme des Theaters: Aktuelle Kontexte von Wissenschaft, Kunst und Öffentlichkeit (pp. 67-76). (Theater; Vol. 90). Transcript. https://doi.org/10.14361/9783839436035-004
  • Röttger, K. (2016). Occupying Scenes of Thinking: The Case of Antigone. In K. Pewny, L. Van den Dries, C. Gruber, & S. Leenknegt (Eds.), Occupy Antigone: tradition, transition and transformation in performance (pp. 33-50). (Forum Modernes Theater. Schriftenreihe; Vol. 47). Narr Francke Attempto.
  • Open Access
    Camuti, F. (2016). The trained experience: A study on the relationship between meditation practices and the actor’s system of knowledge. [Thesis, externally prepared, Universiteit van Amsterdam].
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