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Results: 29
Number of items: 29
  • Open Access
    Martens, E. (2015). A Parradox in Caribbean Cinema? An Interview with Minimal Movie Filmmaker Pim de la Parra, Pragmatic Dreamer from Suriname. Imaginations: Journal of Cross-Cultural Image Studies , 6(2), 84-97. https://doi.org/10.17742/IMAGE.CCN.6-2.8
  • Martens, E. S. (2014). Independent Documentary Filmmaking in Jamaica: An Interview with Esther Figueroa. In A. Traverso, & K. M. Wilson (Eds.), Political Documentary Cinema in Latin America (pp. 166-179). Routledge. https://doi.org/10.1080/13504630.2013.774129
  • Open Access
    Jaffe, R., & Martens, E. (2014). Niet meer welkom A foreign: De schaduwzijde van Caraïbische mobiliteit in Home Again. In M. S. Thomas (Ed.), Latijns Amerika in beeld: Visies op een bewogen regio (pp. 71-81). (Cuadernos del CEDLA; Vol. 29). CEDLA-UvA.
  • Martens, E. S. (2013). Independent Documentary Filmmaking in Jamaica: An Interview with Esther Figueroa. Social Identities, 19(3-4), 440-453. https://doi.org/10.1080/13504630.2013.774129
  • Open Access
    Martens, E. S. (2013). Welcome to Paradise Island: The rise of Jamaica’s cine-tourist image, 1891-1951. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    Martens, E. (2012). Maori on the Silver Screen: the evolution of indigenous feature filmmaking in Aotearoa/New Zealand. International Journal of Critical Indigenous Studies, 5(1), 2-30. http://www.isrn.qut.edu.au/publications/internationaljournal/documents/Final_Martens_IJCIS.pdf
  • Martens, E. (2010). [Review of: A.M. Stock (2009) On location in Cuba: street filmmaking during times of transition]. Revista Europea de Estudios Latinoamericanos y del Caribe, 88, 123-125.
  • Martens, E. (2010). Voorbij de horizon maar binnen het beeld: imperialisme, globalisering en moderne media. Simulacrum, 18(2/3), 90-95.
  • Martens, E. (2007). Once were warriors: the aftermath: the controversy of OWW in Aotearoa New Zealand. Aksant.
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