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Results: 557
Number of items: 557
  • Aydemir, M. (2004). Images of bliss: ejaculation, masculinity, meaning. [Thesis, fully internal, Universiteit van Amsterdam]. in eigen beheer.
  • Bal, M. G. (2004). Telling Objects: A Narrative Perspective on Collecting. In D. Preziosi, & C. Farago (Eds.), Grasping the World: The Idea of the Museum (pp. 84-102). Aldershot.
  • Bal, M. G. (2004). Exposing the Public. In M. Hagener, & J. Schmidt (Eds.), Die Spur durch den Spiegel: Der Film in der Kultur der Moderne (pp. 51-64). Bertz-Verlag.
  • Bal, M. G. (2004). Religious Canon and Literary Identity. In E. Borgman, & B. Philipsen (Eds.), Literary Canons and Religious Identities (pp. 9-32). Aldershot.
  • Bal, M. G. (2004). Light Writing: Portraiture in a Post-Traumatic Age. Mosaic (A Journal for the Interdisciplinary Study of Literature), 27(4), 1-19. http://Special Issue 'the Photograph
  • Bal, M. G. (2004). Critique of Voice. The Open Score of her Face. In L. Fleischman, & C. Goelz (Eds.), Analysieren als Deuten. Wolf Schmid zum 60. Geburtstag (pp. 31-51). Hamburg University Press.
  • Bal, M. G. (2003). Zwarte Piet's Bal Masque. In P. van Zilfhout (Ed.), Denken over cultuur : tekstbundel (pp. 225-255). Open Universiteit.
  • Bal, M. G. (2003). Meanwhile: literature in an expanded field. In I. Hoving, F. W. Korsten, & E. van Alphen (Eds.), Africa and its significant others : forty years of intercultural entanglement (pp. 183-198). (Thamyris intersecting: place, sex and race; No. 11). Rodopi.
  • Bal, M. G. (2003). Ecstatic aesthetics. In C. Farago, & R. Zwijnenberg (Eds.), Compelling visuality: the work of art in and out of history (pp. 1-30). University of Minnesota Press.
  • Bal, M. G. (2003). Anthropometamorphosis: forking paths and crystals in Louise Bourgeois' Philosophy of temporality. In J. Pienkos, & Kozinska (Eds.), Louise Bourgeois: geometry of desire (pp. 253-261). Zacheta Panstwowa Galeria Sztuki i Autorzy.
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