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Results: 475
Number of items: 475
  • Elsaesser, T. (2006). European Cinema: Legacy of East and West, Ethnicity and History. Monitor, VIII(2), 145-169.
  • Elsaesser, T. (2006). Discipline through Diegesis: The Rube film between attraction and integration. In W. Strauven (Ed.), The Cinema of Attractions Reloaded (pp. 205-223). Amsterdam University Press.
  • Elsaesser, T. (2006). C'est la fin de la chanson: Walter Reisch, l 'operette et la double négation. In M. Cerisuelo (Ed.), Vienne et Berlin a Hollywood (pp. 201-246). Presses Universitaires de France.
  • Elsaesser, T. (2006). Antigone Agonistes; urbana gerila ili gerilski urbanizam? Prelom, 6/7, 153-186.
  • Elsaesser, T. (2006). Geschichten und Gedächtnis: Zur Poetik der Fehlleistung im Mainstreamkino. In I. Schenk, & C. Rüffert (Eds.), Experiment Mainstream? Differenz und Uniformierung im populären Kino (pp. 31-42). Bertz & Fischer.
  • Elsaesser, T. (2006). La notion de genre et le film comme produit « semi-fini » : l’exemple de 'Weihnachtsglocken' de Franz Hofer (1914). 1895, 50, 67-85. http://1895.revues.org/document1262.html
  • Elsaesser, T. (2006). Social Mobility and the Fantastic (in Russisch). New Literary Review, 83-103.
  • Elsaesser, T. (2006). Fury. In M. Baute, & V. Pantenburg (Eds.), Night of the Hunter (pp. 271-271). (Minutentexte). Brinkman + Bose.
  • Open Access
    Ripmeester, H. (2006). Permitted performativities. The construction of youth in music videos. [Thesis, fully internal, Universiteit van Amsterdam].
  • Open Access
    de Valck, M. (2006). Film festivals : history and theory of a European phenomenon that became a global network. [Thesis, fully internal, Universiteit van Amsterdam]. ASCA.
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