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Results: 120
Number of items: 120
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van Basten, N., Stigter, S., Kensche, S., & Peschar, R. (2014). Retouching Monochrome Painted Metal Outdoor Sculptures: Tests for Claes Oldenburg’s Trowel. In L. Beerkens, & T. Learner (Eds.), Conserving Outdoor Painted Sculpture: Proceedings from the Interim Meeting of the Modern Materials and Contemporary Art Working Group of ICOM-CC, Kröller-Müller Museum, Otterlo, the Netherlands, June 4-5, 2013 (pp. 73-80). The Getty Conservation Institute. http://www.getty.edu/conservation/publications_resources/pdf_publications/conserv_outdoor_painted.html -
Stigter, S. (2014). Dynamic art technological sources for contemporary works: the artist interview and the installation process. In H. Dubois, J. H. Townsend, J. Nadolny, S. Eyb-Green, S. Kroustallis, & S. Neven (Eds.), Making and Transforming Art: Technology and Interpretation: proceedings of the fifth symposium of the ICOM-CC Working Group for Art Technology Source Research, held at the Royal Institute of Cultural Heritage (KIK-IRPA), Brussels, 22-23 November 2012 (pp. 147-148). Archetype Publications.
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Stigter, S. (2014). Co-produrre arte concettuale: della conservazione di un’installazione variabile di Jan Dibbets. In P. Martore (Ed.), Tra memoria e oblio: percorsi nella conservazione dell'arte contemporanea (pp. 118-141, 281-286). (I timoni). Castelvecchi. http://www.castelvecchieditore.com/tra-memoria-e-oblio/
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Stigter, S. (2013). Research in New Strategies in Conservation of Contemporary Art. ICOM-CC MMCA Working Group Newsletter, 3, 8-9. http://www.icom-cc.org/54/document/mmca-newsletter-may-2013/?id=1196#.U2jb8uUzk7c
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Stigter, S. (2012). Reflections on the artist interview and the conservator's point of view by example of Ger van Elk. In L. Beerkens, P. 't Hoen, IJ. Hummelen, V. van Saaze, T. Scholte, & S. Stigter (Eds.), The artist interview: for conservation and presentation of contemporary art: guidelines and practice (pp. 102-111). Jap Sam Books.
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Stigter, S. (2012). The artist interview as a conservation tool for process-based art by Sjoerd Buisman. In L. Beerkens, P. 't Hoen, IJ. Hummelen, V. van Saaze, T. Scholte, & S. Stigter (Eds.), The artist interview: for conservation and presentation of contemporary art: guidelines and practice (pp. 68-77). Jap Sam Books.
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Stigter, S. (2011). How material is conceptual art? From certificate to materialization: installation practices of Joseph Kosuth's 'Glass (one and three)'. In T. Scholte, & G. Wharton (Eds.), Inside installations: theory and practice in the care of complex artworks (pp. 69-80). (Publications in the Cultural Heritage Agency of the Netherlands). Amsterdam University Press. https://doi.org/10.26530/OAPEN_467012
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van de Vall, R., Hölling, H., Scholte, T., & Stigter, S. (2011). Reflections on a biographical approach to contemporary art conservation. In J. Bridgland (Ed.), ICOM-CC: 16th Triennial Conference, Lisbon, 19-23 September 2011: preprints [cd-rom] Critério. https://www.icom-cc-publications-online.org/1309/Reflections-on-a-biographical-Approach-to-Contemporary-Art-Conservation-
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Stigter, S. (2009). Between concept and material: decision-making in retrospect: conservation treatment of a site-specific conceptual photographic sculpture by Ger van Elk. In Art d'aujourd'hui, patrimoine de demain: conservation et restauration des oeuvres contemporaines: 13es journées d'études de la SFIIC (Section française de l'institut international de conservation), Paris, Institut national du patrimoine, 24-26 juin 2009 (pp. 74-81). SFIIC. http://sfiic.free.fr/publications/art_contemp_angl.htm
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