Search results
Results: 19
Number of items: 19
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Yamomo, M. (2021). [Review of: N. Porath (2019) Hearing Southeast Asia: Sounds of Hierarchy and Power in Context]. Journal of the Humanities and Social Sciences of Southeast Asia, 177(2-3), 439-441. https://doi.org/10.1163/22134379-17702013 -
Yamomo, M. (2019). [Review of: B. Barendrecht, P. Keppy, H. Schulte Nordholt (2017) Popular Music in Southeast Asia: Banal Beats, Muted Histories]. Bijdragen tot de Taal-, Land- en Volkenkunde, 175(1), 127-128. https://doi.org/10.1163/22134379-17501015 -
Yamomo, M. (2018). Theatre and Music in Manila and the Asia Pacific, 1869-1946: Sounding Modernities. (Transnational Theatre Histories). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-69176-3
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Yamomo, M. (2018). Medializing Race: Uncle Tom’s Cabin in Colonial Southeast Asia. In T. C. Davis, & S. Mihaylova (Eds.), Uncle Tom's Cabins: The Transnational History of America's Most Mutable Book (pp. 258-281). The University of Michigan Press. https://doi.org/10.3998/mpub.8057139
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Yamomo, M., & Villaruz, B. E. (2017). Manila and the World Dance Space: Nationalism and Globalization in Cold War Philippines and South East Asia. In C. B. Balme, & B. Szymanski-Düll (Eds.), Theatre, Globalization and the Cold War (pp. 307-323). (Transnational Theatre Histories). Palgrave Macmillan. https://doi.org/10.1007/978-3-319-48084-8_18
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Yamomo, M. (2017). Global Currents, Musical Streams: European Opera in Colonial Southeast Asia. Nineteenth Century Theatre and Film, 44(1), 54-74. https://doi.org/10.1177/1748372717741440
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Yamomo, M. (2015). Brokering Sonic Modernities: migrant Manila musicians in the Asia Pacific, 1881-1948. Popular Entertainment Studies, 6(2), 22-37. https://novaojs.newcastle.edu.au/ojs/index.php/pes/article/view/157
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