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Results: 14
Number of items: 14
  • van de Braak, K., Laganá, A., de Groot, S., van Keulen, H., Jansen, E., & Peschar, R. (2017). Synthetic Furs in Art: Materials, Processes and Cleaning Methods. In T. Bechtold (Ed.), Future Talks 015: Processes: The Making of Design and Modern Art Materials, Technologies and Conservation Strategies (pp. 40-49). Die Neue Sammlung.
  • Bayliss, S., van den Berg, K. J., Burnstock, A., de Groot, S., van Keulen, H., & Sawicka, A. (2016). An investigation into the separation and migration of oil in paintings by Erik Oldenhof. Microchemical Journal, 124, 974-982. https://doi.org/10.1016/j.microc.2015.07.015
  • van den Berg, K. J., Keune, K., de Groot, S., van Keulen, H., van der Werf, I. D., & Burnstock, A. (2014). Binding media in Tudor and Jacobean portrait paintings – Distinguishing between original paint and conservation additions. In J. Bridgland (Ed.), ICOM-CC 17th Triennial Conference: Building strong culture through conservation, 15-19 September 2014, Melbourne, Australia Article 1315 International Council of Museums.
  • Reissland, B., Nederlof, A., Meedendorp, T., de Groot, S., van Keulen, H., Megens, L., & van Velzen, B. (2013). 'Permanent, water-proof and unequalled for outdoor sketching': van Gogh's use of wax crayons. In M. Vellekoop, M. Geldof, E. Hendriks, L. Jansen, & A. de Tagle (Eds.), Van Gogh's studio practice (pp. 400-419). Van Gogh Museum.
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