Gamboni, D. L. (2002). [Review of: Markus Brüderlin (2001) Ornament and Abstraction. The Dialogue between non-Western, Modern and Contemporary Art (exhibition catalogue: Stichting Beyeler, Riehen-Basel)]. Jong Holland, 18(4), 41-42.
Gamboni, D. L. (2002). Des grains de beauté: Anthropomorphes bei Courbet. In H. Keazor (Ed.), Psychische Energien bildender Kunst: Festschrift Klaus Herding (pp. 116-137). Dumont.
Gamboni, D. L. (2002). Memories of Plaster. In Fascinatie : Een queste van Herbert van Rheeden (pp. 51-53).
Gamboni, D. (2002). Portrait of the Artist as a Landscape: An Inquiry into Self-Reflexion. (Oratiereeks). Vossiuspers UvA.
Gamboni, D. L. (2001). World Heritage: Shield or Target. Conservation: The Getty Conservation Institute Newsletter, XVI/2, 5-11.
Gamboni, D. L. (2001). Modern Art and Iconoclasm (in Japanese translation). Studies in Western Art, 6, 110-139.
Gamboni, D. L. (2001). From Church and Palace to the Shopping Mall - and Return. Simulacrum, X(2), 1027-1028.
Gamboni, D. L. (2001). L'image: Saint-Sulpice vaincu par l'art abstrait. Notre Histoire, 190, 23-27.
Gamboni, D. L. (2001). 'Dieses Schillern der Eindrücke freute mich...': August Strindberg und unabsichtliche Bilder im Paris der 1890er Jahre. In G. von Graevenitz, S. Rieger, & F. Thürlemann (Eds.), Die Unvermeidlichkeit der Bilder (pp. 173-186). Gunter Narr Verlag.
Gamboni, D. L. (2001). Le due patrie di Vincenzo Vela. In R. Chiappini (Ed.), Arte in Ticino 1803-2003: La ricerca di un'appartenenza 1803-1870 (exhibition catalogue: Lugano, Museo Civico di Belle Arti) (pp. 363-379). Salvioni.
