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Results: 15
Number of items: 15
  • Kurwinkel, T., Schmerheim, P., & Kurwinkel, A. (2012). Astrid Lindgrens Filme: Auralität und FIlmerleben im Kinder- und Jugendfilm. (Kinder- und Jugendliteratur intermedial; No. 1). Königshausen & Neumann.
  • Kurwinkel, T., & Schmerheim, P. (2011). Intermediality in Children's Literature - Reflections of Adult Relationships in Astrid Lindgren's ‘Ronia, the Robber's Daughter’. In B. Kümmerling-Meibauer, & A. Surmatz (Eds.), Beyond Pippi Longstocking: intermedial and international aspects of Astrid Lindgren's works (pp. 87-104). (Children's literature and culture; No. 77). Routledge.
  • Schmerheim, P. (2008). [Review of: D. Frampton (2006) Filmosophy: a manifesto for a radically new way of understanding cinema]. Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft, 53(2), 323-328.
  • Schmerheim, P. (2008). Paradigmatic Forking-Path Films: Intersections between Mind-Game Films and Multiple-Draft Narratives. In Y. Gächter, H. Ortner, C. Schwarz, & A. Wiesinger (Eds.), Erzählen: Reflexionen im Zeitalter der Digitalisierung = Storytelling: reflections in the age of digitalization (pp. 256-270). Innsbruck University Press.
  • Open Access
    Schmerheim, P. (2008). Film, not Sliced up into Pieces, or: How Film Made me Feel Thinking [Review of: D. Frampton (2006) Filmosophy: a manifesto for a radically new way of understanding cinema]. Film-Philosophy, 12(2), 109-123. http://www.film-philosophy.com/2008v12n2/schmerheim.pdf
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