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Results: 28
Number of items: 28
  • Open Access
    Leberg, D. H. M. (2018). The moving parts: Screen acting and empathy. [Thesis, externally prepared, Universiteit van Amsterdam].
  • Lord, C. (2016). Only connect: ecology between 'late' Latour and Werner Herzog's Cave of Forgotten Dreams. Global Discourse, 6(1-2), 119-132. https://doi.org/10.1080/23269995.2015.1011865
  • Open Access
    Lord, C. (2013). Her green materials: Mourning, 'Melancholia' and not-so-vital materialisms. NECSUS, 2(1), 179-196. https://doi.org/10.5117/NECSUS2013.1.LORD
  • Lord, C. M. (2012). At the Margins of the World: The Nature of Limits in Terence Malick's The Thin Red Line. Text Matters, 2(2), 62-75. https://doi.org/10.2478/v10231-012-0055-6
  • Open Access
    Lord, C. M. (2012). Precarious Planet: Ecological Violence in The Age of Stupid. Excursions, 3(1), 10-23. https://doi.org/10.20919/exs.3.2012.151
  • Open Access
    Lord, C. M. (2012). Midsummer night's wire up. Ecozon@: European Journal of Literature, Culture and Environment, 3(2), 188-196. http://www.ecozona.eu/index.php/journal/article/view/319/636
  • Lord, C. (2011). Dolphins Who Blow Bubbles: Anthropological Machines and Native Informants. Akademisk Kvarter, 03, 107-120. http://www.akademiskkvarter.hum.aau.dk/pdf/vol3/AK_Vol_3_12_2011.pdf
  • Lord, C. (2011). Off the see the Wizard: a short film. In E. Peeren, & M. Aydemir (Eds.), Eighty-eight: Mieke Bal PhDs 1983-2011 (pp. 73-82). ASCA Press.
  • Lord, C. M. (2009). Angels with Nanotech Wings: Magic, Medicine and Technology in Aronofksky's The Fountain, Gibson's The Neuromancer and Slonczewski's Brain Plague. Nebula, 6(4), 162-174. http://www.nobleworld.biz/images/Lord.pdf
  • Lord, C. M. (2008). Scholars, dreams, and memory tapes. In P. Kooijman, P. Pisters, & W. Strauven (Eds.), Mind the screen: media concepts according to Thomas Elsaesser (pp. 125-137). Amsterdam University Press.
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