Search results

  • Full text

  • Document type

    • Publication year

  • Organisation

Results: 475
Number of items: 475
  • Open Access
    Elsaesser, T. (2013). ImpersoNations: national cinema, historical imaginaries and New Cinema Europe. Mise au Point, 5. http://map.revues.org/1480
  • Elsaesser, T. (2012). Caché (Hidden) [Review of: C. Wheatley (2011) Caché. - (BFI film classics)]. Sight and Sound, 22(12), 123.
  • Elsaesser, T. (2012). The persistence of Hollywood. Routledge.
  • Elsaesser, T., & Ḥagin, B. (2012). Zikaron, ṭraʼumah u-fanṭazyah ba-ḳolnoʻa ha-Amqriḳani = Memory, trauma and fantasy in American cinema. Ha-Universiṭah ha-Petuḥah [Open University of Israel].
  • Elsaesser, T. (2012). Rainer Werner Fassbinder. - 2., überarb. Aufl. (Film; No. 9). Bertz & Fischer.
  • Elsaesser, T. (2012). Nashville: putting on the show: or, paradoxes of the "instant" and the "moment". In C. Lucia, R. Grundmann, & A. Simon (Eds.), The Wiley-Blackwell history of American film. - Vol. III: 1946-1975 (pp. 528-546). Wiley-Blackwell. https://doi.org/10.1002/9780470671153.wbhaf066
  • Elsaesser, T. (2012). Is nothing new? Turn-of-the-century epistemes in film history. In A. Gaudreault, N. Dulac, & S. Hidalgo (Eds.), A companion to early cinema (pp. 587-609). Wiley-Blackwell. https://doi.org/10.1002/9781118274453.ch30
  • Elsaesser, T. (2012). Die »Rückkehr« der 3D-Bilder: zur Logik und Genealogie des Bildes im 21. Jahrhundert. In G. S. Freyermuth, & L. Gotto (Eds.), Bildwerte: Visualität in der digitalen Medienkultur (pp. 25-68). (Bild und Bit; No. 1). Transcript.
  • Elsaesser, T. (2012). Cinema and Academia: Of Objects of Love and Objects of Study. In L. Passerini, J. Labanyi, & K. Diehl (Eds.), Europe and love in cinema (pp. 27-42). Intellect.
  • Elsaesser, T. (2012). Etwas wird sichtbar. In N. Grob, H. H. Prinzler, & E. Rentschler (Eds.), Neuer Deutscher Film (pp. 283-292). (Stilepochen des Films; No. 6). Reclam.
Page 2 of 48