Search results

  • Full text

  • Document type

    • Publication year

  • Organisation

Results: 106
Number of items: 106
  • Open Access
    Witte, A. (2024). [Review of: J.M. DeSilva (2022) The Office of Ceremonies and Advancement in Curial Rome, 1466–1528]. The Sixteenth Century Journal, 55(1-2), 332-334. https://doi.org/10.1086/731205
  • Open Access
    Witte, A. (2023). Neutral observer or institutionalized voice? Willibald Sauerländer and German art history after 1945: [Review of: F. Hefele, U. Pfisterer (2022) Willibald Sauerländer und die Kunstgeschichte]. Journal of Art Historiography, 29, Article 29/AW1. https://doi.org/10.48352/uobxjah.00004330
  • Open Access
    Colicino, G. (2023). Gli incisori e il mercato delle stampe nel Viceregno di Napoli (1656-1734). [Thesis, externally prepared, Universiteit van Amsterdam, Università degli Studi di Salerno].
  • Open Access
    Huiskens, M. D. H. P. (2023). Beyond being an Italian sculptor: The exile of Fred Carasso in the Low Countries after the rise of fascism, 1928-1958. [Thesis, externally prepared, Universiteit van Amsterdam, Università degli Studi di Salerno].
  • Witte, A. (2022). Epistolary exchanges, academic training, and social capital: Joseph Anton Koch at the Hohe Karlsschule in Stuttgart. In G. Capitelli, M. P. Donato, C. Mazzarelli, S. A. Meyer, & I. M. Mariani (Eds.), Lettere d’artista: Per una storia transnazionale dell’arte (XVIII-XIX secolo) (pp. 62-73). (Biblioteca d'arte; Vol. 73). Silvana editoriale.
  • Witte, A. A. (2022). [Bespreking van: A.J. Taylor (2022) Forms of Persuasion : Art and the Corporate Image in the 1960s]. De Witte Raaf, 37(219), 41-43. https://www.dewitteraaf.be/artikel/forms-of-persuasion-art-and-the-corporate-image-in-the-1960s/
  • Open Access
    Witte, A. (2022). San Martino ai Monti as a Tridentine Theatre: Dughet’s Frescoes as a Visualization of a sacra rappresentazione. Römisches Jahrbuch der Bibliotheca Hertziana, 45, 339-379. https://www.biblhertz.it/3295084/rjbh45_witte.pdf
  • Open Access
    Witte, A. (2022). [Bespreking van: F. Kuyvenhoven (2020) Een monument voor de BKR : De geschiedenis van een spraakmakende kunstenaarsregeling (1949-1987)]. Tijdschrift voor Geschiedenis, 135(1), 152-153. https://doi.org/10.5117/TvG2022.1.026.WITT
  • Open Access
    Eickhoff, M., & Witte, A. A. (2021). De fascinatie voor fascisme als historische les? [Bespreking van tentoonstelling: Design van het Derde Rijk, Design Museum Den Bosch, 8 sept. 2019-30 maart 2020]. Tijdschrift voor Geschiedenis, 133(4), 707-716. https://doi.org/10.5117/TVGESCH2020.4.006.EICK
  • Witte, A. (2021). Portraits as a Sign of Possession: Cardinals and their Protectorships in Early Modern Rome. In P. Baker-Bates, & I. Brooke (Eds.), Portrait Cultures of the Early Modern Cardinal (pp. 231-257). (Visual and Material Culture, 1300-1700). Amsterdam University Press. https://doi.org/10.5117/9789463725514_ch09
Page 2 of 11