Search results

  • Full text

  • Document type

    • Publication year

  • Organisation

Results: 27
Number of items: 27
  • Titus, B. (2018). The "attentively silent" presence of Jaap Kunst in the Vereniging voor Nederlandse Muziekgeschiedenis. Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 68, 163-174.
  • Titus, B. (2017). El pasado es un país extranjero: La práctica cultural de imaginar la música antigua. Cuadernos del Seminario de Música en la Nueva España y el México , 8, 6-15. https://musicat.unam.mx/Cuadernos/pdf/C8-2.pdf
  • Titus, B. (2016). 'There is that cry sometimes': Negotiations and exertions of power in South African Maskanda music. In C. Granger, F. Riedel, E.-MA. van Straaten, & G. Feller (Eds.), Music moves: Musical dynamics of relation, knowledge and transformation (pp. 107-133). ( Göttingen Studies in Musicology; Vol. 7). Georg Olms Verlag.
  • Titus, B. (2016). [Review of: K. Olsen (2014) Music and social change in South Africa: Maskanda past and present]. The World of Music, 5(1), 209-212.
  • Titus, B. (2016). Recognizing Music as an Art Form: Friedrich Th. Vischer and German music criticism, 1848-1887. Leuven University Press.
  • Titus, B. (2015). Some implications of being undone by music: a response to Christopher Ballantine. South African Music Studies, 34-35, 521-528. https://journals.co.za/content/journal/10520/EJC-551f3ba44
  • Titus, B. (2015). Muzikale culturen uit lang vervlogen tijden: STIMU-Symposium. Tijdschrift voor Oude Muziek, 30(4), 22-26.
  • Open Access
    Titus, B. (2014). Musicologica, or, the ownership of (musical) knowledge: A South African story. Cultural Musicology iZine. http://culturalmusicology.org/barbara-titus-musicologica-or-the-ownership-of-musical-knowledge-a-south-african-story/
  • Open Access
    Titus, B. (2013). "Walking like a crab": Analyzing Maskanda Music in Post-Apartheid South Africa. Ethnomusicology, 57(2), 286-310. https://doi.org/10.5406/ethnomusicology.57.2.0286
  • Titus, B. (2012). «Die Nachwirkung vorher verklungener Töne»: Eduard Hanslick und Friedrich Theodor Vischer über die Historisierung des künstlerischen Materials. In D. Altenburg, & R. Bayreuther (Eds.), Musik und kulturelle Identität. - Bd. 3: Freie Referate und Forschungsberichte (pp. 294-300). Bärenreiter.
Page 2 of 3