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Results: 25
Number of items: 25
  • Open Access
    Helmers, R. (2024). "Closer to the Serbian?" Ukrainian Song and the Mental Mappings of Music in the Russian Empire. Series Musicologica Balcanica, 5, 7-21. https://doi.org/10.26262/smb.v0i5.10400
  • Helmers, R. (2023). The dynamics of national music: Opera and classical music in the nineteenth and early twentieth centuries. In C. Carmichael, M. D'Auria, & A. Roshwald (Eds.), The Cambridge History of Nationhood and Nationalism. - Volume II: Nationalism's Fields of Interaction (pp. 749-767). Cambridge University Press. https://doi.org/10.1017/9781108551458.037
  • Open Access
    Alexander, T., & Helmers, R. (2023). Introduction: Tsarist Russia and the Musical World. Nineteenth-Century Music Review, 20(2), 253-260. https://doi.org/10.1017/S1479409822000271
  • Open Access
    Helmers, R. (2023). Navigating the Local Elites: Travelling Musicians and their Encounters with the Russian Court and Aristocracy in the Mid-Nineteenth Century. Nineteenth-Century Music Review, 20(2), 305-333. https://doi.org/10.1017/S147940982200012X
  • Helmers, R. (2022). Mixed Messages: Nation and Empire in Tchaikovsky’s ‘Ukrainian’ Works. In L. Braun, C. Flamm, S. Keym, & P. R. Bullock (Eds.), Čajkovskij-Analysen: Neue Strategien, Methoden und Perspektiven: Internationale Tagung, Tübingen, 7. bis 9. Juni 2018 (pp. 331-349). (Čajkovskij-Studien ; Vol. 18). Schott.
  • Helmers, R. (2020). National and international canons of opera in Tsarist Russia. In C. Newark, & W. Weber (Eds.), The Oxford Handbook of the Operatic Canon (pp. 317-335). Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190224202.013.21
  • Weber, W., & Helmers, R. (2020). Introduction to chapters 13 and 14: TensionS Between the National and the Cosmopolitan Canons in England and Russia. In C. Newark, & W. Weber (Eds.), The Oxford Handbook of the Operatic Canon (pp. 293-294). Oxford University Press. https://doi.org/10.1093/oxfordhb/9780190224202.001.0001
  • Open Access
    van Nieuwkerk, M. M., Salters, L., Helmers, R. M., Kisjes, I., & van Oort, T. (Guest ed.) (2020). Operatic Productions in the Netherlands, 1886–1995: from Printed Annals to Searchable Performance Data. Research Data Journal for the Humanities and Social Sciences, 5(2), 79-90. https://doi.org/10.1163/24523666-00502007
  • van Nieuwkerk, M., Salters, L., Helmers, R., Kisjes, I., & van Oort, T. (2018). The operatic productions in the Netherlands database [Data set]. EASY. https://doi.org/10.17026/dans-zcy-g3pt
  • Helmers, R. (2018). The travelling musician as cosmopolitan: Western performers and composers in mid-nineteenth-century St Petersburg and Moscow. In E. Kelly, M. Mantere, & D. Scott (Eds.), Confronting the National in the Musical Past (pp. 64-77). Routledge. https://doi.org/10.4324/9781315268279, https://doi.org/10.4324/9781315268279-5
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