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Results: 20
Number of items: 20
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    Diederen, R. M. H. (2004). From Homer to the Harem. The art of Jean Lecomte du Nouy (1842-1923). [Thesis, externally prepared, Universiteit van Amsterdam]. in eigen beheer.
  • Gamboni, D. L. (2003). Paul Gauguin¿s Genesis of a Picture: a Painter¿s Manifesto and Self-Analysis. Nineteenth-Century Art Worldwide. http://www.19thc-artworldwide.org/autumn_03/articles/gamb.html
  • Gamboni, D. L. (2003). Vuillard and Ambiguity. In G. Cogeval, & K. Jones et al. (Eds.), Édouard Vuillard, exhibition catalogue (National Gallery of Art, Washington, D.C.; The Montreal Museum of Fine Arts/Musée des Beaux-Arts de Montréal; Galeries nationales du Grand Palais, Paris; Royal Academy, London) (pp. 405-422).
  • Gamboni, D. L. (2003). Vuillard and Ambiguity. In G. Cogeval, & K. Jones et al. (Eds.), Édouard Vuillard, exhibition catalogue (National Gallery of Art, Washington, D.C.; The Montreal Museum of Fine Arts/Musée des Beaux-Arts de Montréal; Galeries nationales du Grand Palais, Paris; Royal Academy, London) (pp. 405-422).
  • Gamboni, D. L. (2003). Odilon Redon, Saint Sébastien. In 19th-Century European Paintings and Drawings in the Winthrop Collection, exhibition catalogue (Harvard University Art Museums, Cambridge, MA; Metropolitan Museum of Art, New York) (pp. 68-70). Metropolitan Museum of Art.
  • Gamboni, D. L. (2003). "On dénonce un monument": Victor Hugo et l¿actualité des atteintes volontaires au patrimoine. In R. Recht (Ed.), Victor Hugo et le débat patrimonial (pp. 247-264). Institut national du patrimoine and Somogy.
  • Gamboni, D. L. (2002). Ambiguïté, dissimulation et interprétation. Revue de l'Art, 137, 5-8.
  • Gamboni, D. L. (2002). Editorial: Visual Ambiguity and Interpretation. Res: Journal of Anthropology and Aesthetics, 4, 5-15.
  • Gamboni, D. L. (2002). Potential Images: Ambiguity and Indeterminacy in Modern Art. Reaktion Books.
  • Gamboni, D. L. (2002). Image to Destroy, Indestructible Image. In B. Latour, & P. Weibel (Eds.), Iconoclash: Beyond the Image Wars in Science, Religion, and Art (exhibition catalogue: ZKM-Center for Art and Media, Karlsruhe) (pp. 88-135). MIT Press.
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