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Results: 26
Number of items: 26
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Fossati, G., & Olesen, C. G. (2025). The Moving Image Archive as Research Laboratory Ten Years On. In G. Fossati, & A. van den Oever (Eds.), Exposing The Film Apparatus: Global Laboratory Perspectives (new ed., pp. 25-54). (Framing Film). Amsterdam University Press. https://doi.org/10.5117/9789048568260_ch01 -
Paalman, F., Fossati, G., & Masson, E. (2021). Introduction: Activating the Archive. The moving image, 21(1-2), 1-25. https://doi.org/10.5749/movingimage.21.1-2.0001 -
Fossati, G. (2021). For a global approach to audiovisual heritage: A plea for North/South exchange in research and practice. NECSUS, 10(2), 127-133. https://doi.org/10.25969/mediarep/17281 -
Masson, E., Olesen, C. G., van Noord, N., & Fossati, G. (2020). Exploring Digitised Moving Image Collections: The SEMIA Project, Visual Analysis and the Turn to Abstraction. Digital Humanities Quarterly, 14(4). http://digitalhumanities.org/dhq/vol/14/4/000497/000497.html -
Fossati, G., & van den Oever, A. (2020). The 21st-Century Post-Cinematic Ecology of the Film Museum: Theorizing a Film Archival Practice in Transition - A Dialogue. In D. Chateau, & J. Moure (Eds.), Post-Cinema: Cinema in the Post-art Era (pp. 129-141). (The Key Debates: Mutations and Appropriations in European Film Studies). Amsterdam University Press. https://doi.org/10.5117/9789463727235
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