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Results: 53
Number of items: 53
  • Open Access
    Simons, J. (2015). Anti-Christ: Tragedy, Farce or Game? Film-Philosophy, 19, 1-15. Article 1. http://www.film-philosophy.com/index.php/f-p/article/view/263
  • Simons, J. (2014). Complex Narratives. In W. Buckland (Ed.), Hollywood Puzzle Films (pp. 17-34). (AFI Film Readers). Routledge.
  • Simons, J. (2012). De evidence base in de sector film. In Q. van den Hoogen (Ed.), Effectief cultuurbeleid: leren van evalueren (pp. 98-109). (Boekmanstudies). Boekmanstichting.
  • Open Access
    Simons, J. (2011). Between iPhone and YouTube: movies on the move. INC reader, 6, 95-107. http://www.networkcultures.org/_uploads/%236reader_VideoVortex2PDF.pdf
  • Simons, J. (2010). YouTube but iPhone: quanto sono cinematografici i film girati con il telefonino? BN, 568, 28-45. http://digital.casalini.it/an/2481803
  • Simons, J. (2010). Weightless photography. In J. Swinnen, & L. Deneulin (Eds.), The weight of photography: photography history theory and criticism: introductory readings (pp. 557-575). Academic and Scientific Publishers.
  • Simons, J. (2010). Lars von Trier's 'Antichrist': natures, couples, rules, games. Seachange, 2010(1), 120-134. http://www.seachangejournal.ca/pdf/SEACHANGE%20%20Spring-Printemps%202010.pdf
  • Open Access
    Glas, M. A. J. (2010). Games of stake: control, agency and ownership in World of Warcraft. [Thesis, fully internal, Universiteit van Amsterdam].
  • Simons, J. (2009). Forging European cultural identity: thoughts about a canon of European cinema. In I. van Hamersveld, & A. Sonnen (Eds.), Identifying with Europe: reflections on a historical and cultural canon for Europe (pp. 145-157). Boekmanstudies.
  • Simons, J. (2008). A critical mind: the game of permanent crisis management. In J. Kooijman, P. Pisters, & W. Strauven (Eds.), Mind the screen: media concepts according to Thomas Elsaesser (pp. 112-123). Amsterdam University Press.
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