| Authors |
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| Publication date |
2018
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| Host editors |
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| Book title |
Studies on a Global History of Music
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| Book subtitle |
A Balzan Musicology Project
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| ISBN |
|
| ISBN (electronic) |
-
9781315163970
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9781351672757
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| Series |
SOAS Musicology Series
|
| Pages (from-to) |
157-176
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| Number of pages |
20
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| Publisher |
London: Routledge
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| Organisations |
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Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR) - Amsterdam School for Cultural Analysis (ASCA)
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| Abstract |
In his historical outline of popular music in Japan, Oliver Seibt pursues two related goals: to describe the challenges for Japanese pop musicians in overcoming an inferiority complex versus European and American pop, and to interpret the ‘imaginarium’ of cultural concepts that made this music-making viable as a national product.
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| Document type |
Chapter
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| Language |
English
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| Published at |
https://doi.org/10.4324/9781315163970-8
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