Palestina como procedencia archivar la lucha contra lel genocidio desde Gaza hasta el sur del Líbano (Jabal Amil)

How can we archive against genocide in Gaza? How can we draw on practices of solidarity to articulate a decolonial archival praxis? To address these questions, I examine the continuous and deliberate assault on Gaza’s archives as part of a systematic campaign to erase history. The repetition of these destructive practices forms part of a Zionist policy aimed at fabricating a false claim of Israeli nativeness and reshaping the region according to biblical myths and racist fantasies. By underscoring the importance of documenting the genocide in Gaza and of archiving political activism against the project of a “Greater Israel,” I trace the trajectory and proliferation of Palestinian counter-archival initiatives. I focus in particular on Fighting Erasure: Digitizing Gaza’s Genocide and the War on Lebanon, outlining its key activities and the challenges of working amid bombardment, sieges, and sanctions, while the international community silences and abandons us. I also examine the project’s innovative practices and frameworks. My analysis draws on my theory of provenance in situ and of Palestine as provenance, in critical engagement with dominant archival practices and standards such as ISAD(G).