German Longings A Dialogue about the Promises and Dangers of National Stereotypes

Authors
Publication date 2021
Host editors
  • O. Seibt
  • M. Ringsmut
  • D.-E. Wickström
Book title Made in Germany
Book subtitle Studies in Popular Music
ISBN
  • 9780815391784
  • 9780815391777
ISBN (electronic)
  • 9781351200790
Series Routledge Global Popular Music Series
Pages (from-to) 90-98
Publisher New York: Routledge
Organisations
  • Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR) - Amsterdam School for Cultural Analysis (ASCA)
Abstract
Germanness is always already entangled with the complicated and torn history of Germany. This chapter tries to engage with the issue of Germanness in popular music from two different personal perspectives, one Dutch, and one German. In its industrial sound, in the declaratory voice of Blixa Bargeld, a listener like Jeroen de Kloet hears clearly sounds of Germanness, sounds that ironically also hark back to Nazi Germany. In his ears, their industrial sound resonates with the sound of the military, just as the vocal range is reminiscent of the voice of a leader, even when it clearly critiques anything that has to do with state power and the military. The chapter navigates between issues of national identity and stereotyping through the lens of popular music. It explores fascination for, and struggle with, and at times even longings for, Germanness.
Document type Chapter
Language English
Published at https://doi.org/10.4324/9781351200790-11
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