Re: Paik. On time, changeability and identity in the conservation of Nam June Paik’s multimedia installations

Authors	H.B. Hölling
Supervisors	D.A. Cherry
Cosupervisors	G. Wharton
Award date	20-09-2013
Number of pages	347
Publisher	‘s-Hertogenbosch: Boxpress
Organisations	Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR) - Amsterdam School for Cultural Analysis (ASCA)
Document type	PhD thesis
Note	For copyright reasons, the images section is not included in the download 'Thesis'.
Language	English
Downloads	Thesis Cover Title pages Table of contents List of figures Acknowledgements Introduction: Rethinking the 'object of conservation' in multimedia installations I: Concept and materiality: Weighing up the concept and material in multimedia installations Chapter 1: Two works by Nam June Paik Chapter 2: On the threshold of materialities: Conceptual and material aspects of media art Chapter 3: Musical roots of Paik’s performed and performative media II: Time and changeability: Understanding time through change Chapter 4: 'Zen for Film' Chapter 5: Changeability and Paik’s multimedia Chapter 6: Time and conservation Chapter 7: Heterotemporalities: Inside and outside of the medium III: Archive and identity: Persistence of identity through change: The ship of Theseus Chapter 8: The material and the immaterial archive Chapter 9: Archival implications Conclusion: The many 'archai' of conservation Bibliography Appendix Samenvatting (Summary in Dutch) Résumé
Supplementary materials	Extended summary
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