Political TikTok Playful performance, ambivalent critique and event commentary

Open Access
Authors
Publication date 2023
Host editors
  • R. Rogers
Book title The Propagation of Misinformation in Social Media
Book subtitle A Cross-platform Analysis
ISBN
  • 9789463720762
ISBN (electronic)
  • 9789048554249
Chapter 9
Pages (from-to) 187-206
Publisher Amsterdam: Amsterdam University Press
Organisations
  • Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR) - Amsterdam School for Cultural Analysis (ASCA)
Abstract
During the U.S. presidential election of 2020, TikTok, an app known for lip-synching and remixes of popular media, became a tool for ludic civic engagement, ambivalent critique and event-commentary. More specifically, TikTokers practiced types of engagement such as playful political performance, in which they express sentiments about a candidate by dancing or singing. They also practice remix as ambivalent critique by juxtaposing news clips and music to comment on current events. These examples evoke genres of ludic civic engagement such as flash mobs and tactical clowning while also exhibiting qualities specific to TikTok. The rhetorical power of playfulness and remix lies in distorting, exaggerating, and dramatizing; on TikTok, these practices are mainstream rather than fringe, raising questions about the contribution of the platform to political discourse.
Document type Chapter
Language English
Related dataset Political TikTok
Published at https://doi.org/10.2307/jj.1231864.12 https://doi.org/10.5117/9789463720762_ch09
Published at https://library.oapen.org/handle/20.500.12657/61940
Downloads
jj.1231864.12 (Final published version)
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