Political TikTok Playful performance, ambivalent critique and event commentary
| Authors |
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| Publication date | 2023 |
| Host editors |
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| Book title | The Propagation of Misinformation in Social Media |
| Book subtitle | A Cross-platform Analysis |
| ISBN |
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| ISBN (electronic) |
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| Chapter | 9 |
| Pages (from-to) | 187-206 |
| Publisher | Amsterdam: Amsterdam University Press |
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| Abstract |
During the U.S. presidential election of 2020, TikTok, an app known for lip-synching and remixes of popular media, became a tool for ludic civic engagement, ambivalent critique and event-commentary. More specifically, TikTokers practiced types of engagement such as playful political performance, in which they express sentiments about a candidate by dancing or singing. They also practice remix as ambivalent critique by juxtaposing news clips and music to comment on current events. These examples evoke genres of ludic civic engagement such as flash mobs and tactical clowning while also exhibiting qualities specific to TikTok. The rhetorical power of playfulness and remix lies in distorting, exaggerating, and dramatizing; on TikTok, these practices are mainstream rather than fringe, raising questions about the contribution of the platform to political discourse.
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| Document type | Chapter |
| Language | English |
| Related dataset | Political TikTok |
| Published at | https://doi.org/10.2307/jj.1231864.12 https://doi.org/10.5117/9789463720762_ch09 |
| Published at | https://library.oapen.org/handle/20.500.12657/61940 |
| Downloads |
jj.1231864.12
(Final published version)
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