Archival Research Expanded Bodily Archives and Embodied Fabulation

Open Access
Authors
Publication date 2025
Host editors
  • Liesbeth Groot Nibbelink
  • Laura Karreman
Book title Performance Research Methods
Book subtitle Interdisciplinary Methods for Theatre, Dance and Performance Studies
ISBN
  • 9781805116073
  • 9781805116080
ISBN (electronic)
  • 9781805116097
  • 9781805116110
  • 9781805116103
Chapter 12
Pages (from-to) 247-267
Publisher Cambridge: Open Book Publishers
Organisations
  • Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR) - Amsterdam School of Historical Studies (ASH)
Abstract
This chapter expands the methods of traditional archival research, from the textual and iconographic evidence that is its basis to include what Skwirblies calls ‘embodied fabulation’. As a concept, embodied fabulation does two things: one, it helps to focus archival research more strongly on embodied practices in the archive, and two, it fosters a critical reflection on the archive which includes understanding the researcher-subjects in their own embodiment. In that way, embodied fabulation helps to advance a series of speculative arguments about what is not always present in the archive, what has been silenced and marginalised in the logic of archival documentability as well as arguments about how these gaps could occur in the first place. Embodied fabulation not only helps us identify and signal where gaps exist in the archive, it also allows us to imagine embodied and performative knowledge—as archival knowledge—into these gaps.
Document type Chapter
Language English
Published at
https://doi.org/10.11647/obp.0469.12 (Final published version)
Downloads
obp.0469.12 (Final published version)
Permalink to this page
Back