Thou Shalt not Kill! Or Notes on Caribbean Music as Literary Text on Being Human

One of the important things that we who share in the human condition do when we write, read, interpret, and discuss written works, is relate to death; the death of the unruliness of Life. We are referring here to that counter, that unforeseen, that chaos, that deconstructive constant, that je ne sais quoi that perpetually undoes all the certainties and structures and truths we hold dear in our attempt to master and colonize our existence. Let us call this the aesthetic-real understanding of death that, at its best, is ethical in character. But – and this is crux of our argument – Caribbean literature, as it is also expressed in the musical production from the region, reminds us that this general aesthetic-real of relating to death is inextricably bound up with the specific historical-real of non-Europeans, and those who Europeans deemed lesser creatures, being murdered by overwork, guns, disease or poverty as a result of western greed and anti-human humanism. Again, to repeat, in this essay, we explore this and its summoning of an alternative conception of being human via the literature
housed in Caribbean music: those written, sung, performed, and sometimes, danceable texts.