Technical art history : painters' supports and studio practices of Rembrandt, Dou and Vermeer

Authors	J. Wadum
Supervisors	J.P. Filedt Kok
Cosupervisors	A. van Grevenstein-Kruse
Award date	02-07-2009
Number of pages	237
Organisations	Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR)
Document type	PhD thesis
Note	Research conducted at: Universiteit van Amsterdam
Language	English
Downloads	Thesis Front cover Title pages Contents Foreword Introduction : discoursing artworks : the multiple faces of conservation documentation The winter room at Rosenborg Castle : a unique survival of Antwerp mass-production The Antwerp brand on paintings on panels Historical overview of panel-making techniques in the northern countries Microclimate boxes for panel paintings Peeter Stas : an Antwerp coppersmith and his marks Antwerp copper plates Dou doesn't paint, oh no, he juggles with his brush : Gerrit Dou, a Rembrandtesque 'fijnschilder' Rembrandt under the skin : the Mauritshuis portrait of Rembrandt with gorget in retrospect Vermeer in perspective Contours of Vermeer Bibliography (as of January 2009)
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