Preservation Strategies for an Internet-based Artwork Yesterday Today and Tomorrow

Open Access
Authors
Publication date 2019
Host editors
  • M. Ras
  • B. Sierman
  • A. Puggioni
Book title IPRES 2019 : 16th International Conference of Digital Preservation
Book subtitle proceedings : Amsterdam // 16-20 September 2019
ISBN (electronic)
  • 9789062590438
  • 9789062590452
Event 16th International Conference on Digital Preservation<br/>iPRES 2019
Pages (from-to) 179-190
Publisher Dutch Digital Heritage Network
Organisations
  • Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR) - Amsterdam School for Heritage, Memory and Material Culture (AHM)
  • Faculty of Humanities (FGw) - Amsterdam Institute for Humanities Research (AIHR)
Abstract
This paper investigates possible preservation strategies for an internet-based artwork and assesses the strategies that best capture the authenticity of the work for future iterations. Two different preservation strategies are applied for the internet-based artwork TraceNoizer.org from 2001. A third one, a Linux Live CD, was carried out by one of the artists. They are compared and evaluated from the perspective of the long-term preservation of the work’s most significant properties. Compared to software-based artworks, the characteristics of internet-based artworks shift the focus of the preservation measures from the stabilization of the software to reduction of server maintenance, protection of server and artwork from internet threats and reduction of external dependencies. This paper suggests solutions how to handle these challenges and discusses its benefits and disadvantages for long-term preservation.
Document type Conference contribution
Language English
Published at https://doi.org/10.17605/OSF.IO/GF2U9
Other links https://osf.io/4xyan/
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