Success in the Dutch music festival market: the role of format and content

Authors
Publication date 2010
Host editors
  • J. Connell
  • S. Page
Book title Event tourism: critical concepts in tourism. - Vol. 4: Managing event operations
ISBN
  • 9780415475211
Series Critical concepts in tourism
Pages (from-to) 79-94
Publisher London: Routledge
Organisations
  • Faculty of Economics and Business (FEB) - Amsterdam Business School Research Institute (ABS-RI)
Abstract
Nowadays, music festivals are very important for generating revenue streams in the music industry. However, studies on what makes music festivals a success are scant. In this article, a conceptual model to explain the success of music festivals is introduced and tested. Such a model seems pressing now that competition in the music festival industry is increasing. Our conceptual model includes variables that are under the control of music festival organizers, namely format and content characteristics. The content features include scope of the audience, lineup, age, and having a theme or message. Budget, ticket price, location, and having a maximum visitor capacity make up the format features. The model is tested with data from 47 music festivals in the Netherlands. The results show that relatively newer festivals can achieve good growth in terms of visitor attendance, especially if they have a narrow scope (niche). Interestingly, this is true for both large and small festivals. Our findings are important with respect to music festival diversity and choice for audiences, which may be at risk due to increasing competition. The fact that several festivals have a capacity constraint seems to be beneficial for diversity as well. Interestingly, budgets (and star lineup and ticket price), theme, and location are largely nonsignificant predictors of success.
Document type Chapter
Note Publ. before in: International Journal on Media Management, 2005, 7, 3/4, 148-157.
Language English
Published at https://doi.org/10.1080/14241277.2005.9669431
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